It would be easy to kick ICrossoverI square in the basketball. Its an awkward little movie, meandering from scene to scene with complete disconnect. Then theres Wayne Brady as the films villain. Wayne Brady, even at his most intimidating, is about as threatening as a basket full of kittens. Yep, there are a million different ways to rip this one, but Im not going to do it. Theres something lovable about ICrossoverI, its kind of like a three-legged dog. Its wobbly and unsure of itself, but damn if it isnt kind of cute in...

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IRenaissanceI is the kind of movie you instinctively want to be good. Stylized, heavily shadowed, and soaked in detail its a piece of moving art. I cant even begin to fathom the hours, days, and weeks that must have gone into carefully conceiving and setting up every single shot. But if sheer effort were an easy indicator of quality, then Cinema Blend would have long ago been acknowledged as the greatest movie site on the internet....

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The Rocks big muscles and talent for smashing heads is put on the shelf while he steps into a role that a few years ago might have gone to R. Lee Ermey in IGridiron GangI. He stars as real life underage correctional camp officer Sean Porter in the true story of a bunch of little bastards who become slightly less likely to stab you after they play some football and take out their aggression on rich white kids in opposing football...

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It should be noted that IThis Film Is Not Yet RatedI is a documentary with a specific agenda. It delivers the concerns and problems of filmmakers and film critics, but doesnt address the side of movie ratings from the parental point of view, with the exception of an especially profound comment from Matt Stone South Park of all people. Instead of addressing both sides of the argument or debating the need for a consistent ratings system, the film only builds a case against the current system. However, it puts together a hell of a...

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It takes more than just a handful of songs to turn a movie into a musical. The music and choreography should serve to progress the story in some way, not interrupt it. Thats a very simple observation, but one that seems to have escaped the creative minds behind iIdlewildi. OutKast members Andre 3000 and Big Boi bring their particular brand of hip hop to the 1930s gangster drama, but instead of integrating with the film and creating harmony, the heavily stylized music grinds the story to a halt each and every time. ...

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